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Associated Press. August 30, In its year history, Afro-Caribbean music has had its ups and downs, buffeted by forces from the Cuban revolution to the disco craze. Today young people consider salsa old-fashioned, say George and others. Traditional salsa is being diluted in modern brews of house, hip-hop, pop and electronica.
This is the first time in more than half a century that there is no dominant Latin label in New York City, arguably the capital of salsa. And Ralph Mercado, owner of RMM Records and the producer of the salsa festival here, went bankrupt in the wake of legal troubles.
There was the same kind of artist development that independent labels like Motown have done with other genres. In the absence of new talent, the rich old catalogs keep the music alive with classics by artists such as Machito, Eddie Palmieri, Ray Barretto, Willie Colon and Ruben Blades. And the aging stars keep touring. Sixtysomething singer Cheo Feliciano delighted fans at the Conga Room earlier this month. And praying for his next gig. Clubs of the so-called "cuchifrito circuit" once served as salsa incubators.
Bands in the Big Apple appeared at various venues every night of the week. Now only a handful remain. The lack of live shows deprives young musicians of their primary salsa education, says Blades, the Panamanian star who as a new arrival in New York made a point of catching the swinging Joe Cuba Sextet and his singing idol, Feliciano. Here, there are several places to dance salsa, and classes are still popular.
Be respectful, keep it civil and stay on topic. We delete comments that violate our policy , which we encourage you to read. Discussion threads can be closed at any time at our discretion. David Carnoy. May 7, p. All in all, a great concert that also looks and sounds really good. In other words, a great-looking and -sounding disc. A high point for the band, it definitely rawks. Filmed at the Mandalay Bay in Vegas, "Foster and Friends" is generally considered a very good-looking and -sounding Blu-ray concert disc.
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